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Question about Members B/W exhibition Gallery
Submitted by g0ne on Sat, 14/07/2012 - 18:53
Should we include duotones (dual colour images ie highlight and lowlight colours), monotones (sepias etc) and photographs using selective colour also known as colour popping?
Please respond here with your thoughts as its your thread.
This is as a result of a question posed in the gallery and i thought it merited a new thread to seek guidance.
0 people like this.


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Hmmmm,
the B/W idea has something to do with old-time photography (although colour photos are much older than most think)
So perhaps duotones and monotones which fall into the same category should be ok, selective coloring perhaps not.
But i am wide open to the ideas of the others..
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Hi
I have always preferred the term monochrome to black and white. In the older days of monochrome photography tones were changed by using chloro-bromide paper for a warmer tone. Further toning could be achieved with the use of Selenium for a cooler tone or full sepia toning for the reddish effect..
Controlled duotone can be interesting but I would draw the line at 'colour popping'.
Kind regards,
Chas.
Contrasts: http://www.myfinepix.co.uk/competition/entry/609949
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I think I have never seen a photo of Sunlight in this gallery... and I think, yes, we can include duotones, monotones, selective colours, etc.. this gallery is so poor....
In spite of my rage, I'm still a rat in a cage..
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The more i think of it and after seeing the other quality b&w gallery pictures i think it should stay as black and white and mono
Comp
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Personally I'd prefer monochrome images, not just B&W (in fact I think I may be guilty of dropping a monochrome in this gallery in the past - oops!!) - not duotones & selective colouring, there is another "open category" MEG that these could be posted in.
Lona "You did not come into this world, you came out of it, like a wave from the ocean. You are not a stranger here." Alan Watts
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So guys
where would this fit - b+w, mono, duo, selective ?...
Personally. ah think in a thread entitled B+W, it should not have any colours other than greyscale (monotone) or b+w - aye, ah know, monotone isn't b+w. Ye could start another thread for Sepia and shades of, yet another for duotone and again for selective colouring. It's our site, expand it. It'll also help educate beginners on the different types of colours.... or their absence.
Ah'd like tae see a gallery for b+w/monochrome but there are so many "lazy" posters on here who would just stick anything in it that it would need moderation...and that ain't gonna happen!
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If not in the B&W MEG then it will just be somewhere else - assuming there is enough interest to make it happen. Personally I don't much care but I don't think it really serves any real purpose to become too pedantic about what meets the criteria and what doesn't. Call it whatever you will a pic that is notably distinct in its lack of colours or at the least its limitation of them should be enough of a standard. Else we will end up with more MEG's than is likely worthwhile, a probable drop in standards and smalller amounts of entries, add to that the interminable threads about "where does this belong" ( a thinly veiled ploy to simply show the pic) and I just fancy it all has the possibility of getting all too silly.
Keep it simple. It ain't broke, don't fix it. It is not compulsory for anyone to like every pic in an MEG nor is it compulsory for every pic to fit one person's definition of a subject type. A loosely defined collection will be far more diverse and interesting, will keep everything neatly together in one place and will not spawn endless threads about whether something should be in this MEG or that MEG. I see it now - The duotone MEG, the monochrome MEG, the Sepia MEG... meh....
IMO.
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I suggest the possibility to post in the gallery not only one, but two photos every week, depending on every one... we are not many in this gallery... what do you think ?
In spite of my rage, I'm still a rat in a cage..
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Hi Gwalion,
If yer not going tae be pedantic about a Black+White gallery, then ye may as well call it.....
"This was gonna be a Black+White gallery but hey! fire in with any old shot and we'll call it the Gallimaufry gallery 'cos nobody's gonna just put Black+White photos in it - are they?" Shouldn't the clue be in the title?
PS Why would speciality threads result in a drop in standards?
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Hi Gwalion,
If yer not going tae be pedantic about a Black+White gallery, then ye may as well call it.....
"This was gonna be a Black+White gallery but hey! fire in with any old shot and we'll call it the Gallimaufry gallery 'cos nobody's gonna just put Black+White photos in it - are they?" Shouldn't the clue be in the title?
PS Why would speciality threads result in a drop in standards?
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Hi Tao2 - you can be as pedantic as you like, but in so doing you risk spawning countless threads of a very similar nature... why not a specific B&W thread for pics taken on a Thursday?
A single "umbrella" thread, call it whatever you will, is sifficient IMO, but as I said - I don't really care, but you are welcome to try and make me as it were. If you can convince me of the need for separate MEG's for each "variation" I will support the idea, but you have failed to do so thus far.
The drop in standards - probable but not certain - is likely to result from people wanting to enter every different MEG - the more galleries the harder it will be to maintain a high standard; that is not to say it is not possible, but IMO it is likely. As I said though, probable not certain.
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Ahhh Gwalion,
reductio ad absurdum, descendng into a strawman. Ah do accept yer argument in the last paragraph though.
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Not at all. Are black and white pictures composed entirely of black and white tones? or are there, usually, several shades of grey, if there are, then your suggestion that it is all in the title is inaccurate.
There is no proposition to refute here, only an opinion requested, and offered.
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Hi
When Dean started the ‘Black and white’ threads it was greeted by many as an opportunity to move away from the bright over saturated colour images that dominated. It was also a place to learn more about the ‘art’ of monochrome photography which has its own skills of taking and production.
The threads spawned much advice on what constitutes a monochrome subject and the many ways that say conversion from colour could be done, or what filters to use if the camera was used in a black and white mode. There were several tutorials published at the time. This aspect of photographic education has faded and the thread has become a further place for some to display another image.
As it is it seems to attract a loyal few which is what you would expect from a specialist area. What is missing is the education of others.
Perhaps it could be enhanced by the author saying something about the process of taking, selection and production method. In addition to the camera settings, what filter or software was used. Was it a colour conversion or greyscale application? What effort was made to adjust the tones without altering the contrast?
To go back to the beginning, why was the picture taken. Was it made with the purpose of producing a monochrome image or was it simply selected from the many taken at any one time. As always it is about ‘seeing’ in monochrome and having some understanding how colour is converted into shades of grey. That is how it always used to be and it is no different with digital photography.
I know that I do not participate in this picture thread and for that I am sorry. There are reasons for that as some of you know. I do however know something about monochrome photography and its reproduction and have tried to pass this on when I can.
Long may it continue in what ever form the members want. The language of photography is always changing and bent to the collective will.
Kind regards,
Chas.
Contrasts: http://www.myfinepix.co.uk/competition/entry/609949
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Hi everyone, I'm with Sunlight all the way, your post (for me) hits the nail on the head. All of the photo's I have submitted for this gallery have been taken with my camera set to B&W, for the simple reason - this makes you see in B&W even before you compose the shot.
I'm not opposed to colour shots being converted with software, I just feel you get better results if photo's are taken with a B&W frame of mind - try it.
Finally, no blobs of colour please.
Thanks, Ian
Yesterday is but a dream and tomorrow is only a vision, but today well lived, makes every yesterday a dream of happiness and every tomorrow a vision of hope - KALIDASA
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To go back to the beginning, why was the picture taken. Was it made with the purpose of producing a monochrome image or was it simply selected from the many taken at any one time. As always it is about ‘seeing’ in monochrome and having some understanding how colour is converted into shades of grey.
It is made with the purpose of producing A GOOD SHOT, whatever it is..
In spite of my rage, I'm still a rat in a cage..
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Boring..
In spite of my rage, I'm still a rat in a cage..
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I think we have to decide if "this is a B&W gallery" (I mean a purely B&W gallery, so photos taken in B&W, as Zeb says), or a "monochrome gallery" (taken in B&W, converted from colour, colored, sepia, etc.....). Or B&W with a touch of colour ? Or not ? Do we vote ? Or maybe simply cancel the thread ?
In spite of my rage, I'm still a rat in a cage..
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Have to agree with you Edy - this thread, according to the thread header, is about whether or not the B&W gallery should be considered a "broad umbrella" term that allows for duotones, sepia etc not a discussion on what constitutes good B&W photography or how it is best achieved.
I will reiterate my opinion - I think it should be an "umbrella" type thread ( change the title if needs be) else we are likely to end up with three or four more MEG threads which are likely to have little input. ( how many images that fall into these other categories do we actually see in any given week? )
My opinion only and my "vote", if you will.
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I'm ok for a "broad umbrella" type thread, as I already told.. and as I already told, I suggest the possibility to post one OR two photos every week.. but no more than two..
In spite of my rage, I'm still a rat in a cage..
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I figure from the feedback people do not want change, just some leeway to insert black and white shots with processing on board. Interestingly no one wanted colour popping (selective colouring) in the thread if i recall correctly.
Saying that i figure there is no need to change the thread header or title unless to insert the words - monotones and duotones permissible (sepias etc), but please no colour popping (selective colouring).
Thank you folks for responding to the thread.
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Reading this now, I'm not sure to know what really is a "duotone" or a "selective colouring" or a "colour popping".. can anybody explain this to a non-british member ?
In spite of my rage, I'm still a rat in a cage..
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An example of a duotone above. This is easy to accomplish in ACR firstly making it a monotone and then using "split toning" to colour the highlight and shadow channels separately.
Colour Popping and Selective Colour are the same thing, and an example of which is above. Easy to achieve in any paint/editing program that uses layers, and some that dont.
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Ok thanks...
In spite of my rage, I'm still a rat in a cage..
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Update, read this weeks posting thread carefully noting all changes please. I hope its what the majority wanted.